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Relasi Bahasa, Kuasa, dan Penyempitan Pola Pikir Kritis Manusia (sebuah ajakan teruntuk invani_ ik ben een vrijdenker)
Submitted by ginting on Wed, 06/11/2008 - 00:49.A. Pengantar
April tanggal empat tahun dua ribu delapan, invani_ik ben een vrijdenker menuliskan "sesuatu" yang menyulut rasa ingin tahu saya. saya tak berani berpreasumsi bahwa yang ditulis invani adalah sebuah puisi, cerpen, apalagi novel dan drama. maka saya lebih senang menyebutnya dengan kata "sesuatu" saja. judul dari tulisan itu adalah TERALENIASI DENGAN KATA DAN BAHASA. inilah tulisan tersebut, yang saya kutip dari blog invani.

Ionesco's "The Lesson": A Literary Work of Theatre of the Absurd & a Portrayal of Status and Control
Submitted by siegfrieda on Thu, 02/14/2008 - 15:14.THEATRE OF THE ABSURD: A GLANCE
Theatre of the absurd is the most popular movement of the anti-realistic drama, including the name of Irish-born playwright Samuel Beckett and French playwrights Eugene Ionesco, Jean Genet, British dramatist Harold Pinter, and American Edward Albee (Barnet et al., 1963:569). Those dramatists’ works evoke the absurd by abandoning logical form, character and dialogue together with realistic illusion (Baldick, 1990:__).

Culture Industry as Reflected in "Robinson Crusoe" Movie
Submitted by siegfrieda on Fri, 02/08/2008 - 14:43.1. Why does certain modern film industry make this kind of movie?
One reason certain Movie Company produces Daniel Defoe’s Robinson Crusoe into a movie is that it is one of the most popular adventure novels in the world. Thus, Robinson Crusoe is very well-known. Since the novel is popular, it encourages people to be familiar with the story of such adventurer.

THE CONCEPT OF HUMANITY AS SEEN IN ALEXANDER POPE’S "ESSAY ON MAN"
Submitted by @ringgi on Mon, 02/04/2008 - 11:57.A. INTRODUCTION

A Formalistic View to D.H. Lawrence's "The Little Town in the Evening
Submitted by @ringgi on Mon, 02/04/2008 - 11:48.A. INTRODUCTION
A.1. Poetry
Talking about literature, people ordinarily will refer to its three main genres: poetry, drama, and prose. Three of them are the representatives of distinctive form and style of literary works. Each of them has its own characteristics, limitations, and even the taste of aesthetic values. None of them is said to be better than the others. Whereas, the perspective(s) used to perceive, enjoy, contemplate, and even scientifically analyze each of those three genres, though closely related to each other, simply have their own space.

Proposing Preliminary Exposition: a Critical Thought to "Ordinary" Exposition
Submitted by ginting on Sun, 02/03/2008 - 21:57.1. An Opening
For most fiction writers, I believe, jotting down the very beginning part of the story is often belaboring. Many of them are confused about how to conduct a good starting point in order to create such an interesting, enticing, and – probably – comfortable opening for readers. The beginning is very much important (even crucial) either for the writers: to ease them continuing the rest of the story, or, of course, for the readers: to get an attractive first impression when reading literary works. The first impression is considered remarkable – seen from the point of view of social psychology – since “after all kinds of other impressions settle, the last impression will probably resemble the first” (Novakovich, 1995: 152).

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